• Art, Migration, and Human Rights

  • Menu
  • Topics
    • Introduction
    • Remapping Migration: Rights, Body, and Resistance
    • The Performance of Control and Security
    • Actors, Networks, and Counter-Machines
    • Gender, Sexuality, and Migration
    • The Politics of Care: Mourning, Memory, and Forensics
    • Art and Performance
    • Collaborative Pedagogies
  • Where We Went
    • Albergue Jesus El Buen Pastor and Refugio los 3 Ángeles
    • Casa del Migrante Hogar de la Misericordia
    • Centro de Ayuda Humanitaria a Migrantes, Chahuites, Oaxaca
    • Centro de Derechos Humanos Fray Matías de Córdova
    • Checkpoint Tamara
    • Checkpoint Huixtla, Chiapas
    • Ciudad Tecún Úman
    • Comisión Nacional de los Derechos Humanos, Sede de Tapachula
    • Estación de Tren Arriaga
    • Estación de Tren Chontalpa
    • FOMMA – Fortaleza de la Mujer Maya
    • La 72 Hogar – Refugio para personas migrantes
    • Oventik
    • Panteón Municipal Arriaga
    • Paso del Coyote
    • Roberto Barrios
  • What We Saw
  • Course Blog
  • This Dossier
    • Syllabus
    • Contributors
    • Interviews
    • Media Coverage
    • Ayotzinapa
    • Crossing Mexico Conference
    • Permanent People’s Tribunal (PPT)
  • Bibliography

Archives

  • February 2017
  • August 2015
  • July 2015
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Categories

  • Class 2: Migration
  • Class 3: Rights and Vulnerabilities
  • Class 4: Seeing and Violence
  • Class 5: Defacement
  • Class 6: Remains/Forensics
  • control and security
  • Reading responses
  • Uncategorized
Posted on August 1, 2015January 24, 2017

Art & forensics: an approach?

Posted on August 1, 2015January 24, 2017 by mariafernanda

Posted on July 28, 2015January 24, 2017

Freedom to stay, freedom to be placed

Posted on July 28, 2015January 24, 2017 by mariafernanda