Art, Migration, and Human Rights
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Topics
Introduction
Remapping Migration: Rights, Body, and Resistance
The Performance of Control and Security
Actors, Networks, and Counter-Machines
Gender, Sexuality, and Migration
The Politics of Care: Mourning, Memory, and Forensics
Art and Performance
Collaborative Pedagogies
Where We Went
Albergue Jesus El Buen Pastor and Refugio los 3 Ángeles
Casa del Migrante Hogar de la Misericordia
Centro de Ayuda Humanitaria a Migrantes, Chahuites, Oaxaca
Centro de Derechos Humanos Fray Matías de Córdova
Checkpoint Tamara
Checkpoint Huixtla, Chiapas
Ciudad Tecún Úman
Comisión Nacional de los Derechos Humanos, Sede de Tapachula
Estación de Tren Arriaga
Estación de Tren Chontalpa
FOMMA – Fortaleza de la Mujer Maya
La 72 Hogar – Refugio para personas migrantes
Oventik
Panteón Municipal Arriaga
Paso del Coyote
Roberto Barrios
What We Saw
Course Blog
This Dossier
Syllabus
Contributors
Interviews
Media Coverage
Ayotzinapa
Crossing Mexico Conference
Permanent People’s Tribunal (PPT)
Bibliography
Tagged with: lacey schauwecker
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Painted Nails
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Remains/Forensics/More defacement
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Politicizing defacement vis-a-vis screaming
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Toward a performative ethics of witnessing
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Class 3: Rights and Vulnerabilities
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Class 2: Migration