• Art, Migration, and Human Rights

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    • Introduction
    • Remapping Migration: Rights, Body, and Resistance
    • The Performance of Control and Security
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    • Gender, Sexuality, and Migration
    • The Politics of Care: Mourning, Memory, and Forensics
    • Art and Performance
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  • Where We Went
    • Albergue Jesus El Buen Pastor and Refugio los 3 Ángeles
    • Casa del Migrante Hogar de la Misericordia
    • Centro de Ayuda Humanitaria a Migrantes, Chahuites, Oaxaca
    • Centro de Derechos Humanos Fray Matías de Córdova
    • Checkpoint Tamara
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    • Estación de Tren Arriaga
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    • FOMMA – Fortaleza de la Mujer Maya
    • La 72 Hogar – Refugio para personas migrantes
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    • Roberto Barrios
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    • Crossing Mexico Conference
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Categories

  • Class 2: Migration
  • Class 3: Rights and Vulnerabilities
  • Class 4: Seeing and Violence
  • Class 5: Defacement
  • Class 6: Remains/Forensics
  • control and security
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The Master’s Tool Will Never Dismantle the Master’s House

Posted on August 29, 2015July 6, 2016 by gracemclaughlin